[62] Susan D. Moeller. Ibid. p. 223.

[63] Susan D. Moeller. Ibid. p. 224.

[64] Susan D. Moeller. Ibid. p. 167.

[65] Susan D. Moeller. Ibid. p. 230.

[66] Michael Parenti. "The Media And Their Atrocities." In Russ Kick (ed.). You Are Being Lied To. New York: Disinfo Books/RSUB, 2001. p. 55. Also see: Philip Seib. Ibid. pp. 132-137. Further discussion in: Tariq Ali (ed.). Masters of the Universe: NATO's Balkan Crusade. New York: Verso Books, 2000. Paul Mitchell (producer), Angus MacQueen (director), Norma Percy (series producer). The Death of Yugoslavia (3 vols).. London: British Broadcasting Corporation, Discovery Channel and ORF, 1995-1996.

[67] Susan D. Moeller. Ibid. p. 230.

[68] Susan D. Moeller. Ibid. p. 233.

[69] Susan D. Moeller. Ibid. p. 276.

[70] Alex Burns. "Live From Bosnia: The Atrocity Exhibition."

[71] Michael Parenti. Ibid. p. 51.

[72] Michael Parenti. Ibid. p. 52.

[73] Michael Parenti. Ibid. p. 54.

[74] David Barsamian. "Liberating The Mind from Orthodoxies: An Interview with Noam Chomsky." Z Magazine (May 2001). p. 35.

[75] Susan D. Moeller. Ibid. p. p. 229.

[76] Susan D. Moeller. Ibid. p. 228. They eventually used the 1948 United Nations Convention on the Prevention and Punishment of the Crime of Genocide.

[77] Alvin Toffler. On-screen statement in "The i Bomb" (1995).

[78] Karim H. Karim. "Covering The South Caucasus and Bosnian Conflicts: Or How The Jihad Model Appears and Disappears." In Abbas Malek and Anandam P. Kavoori (ed.). The Global Dynamics of News. Stamford, CN: Ablex Publishing, 2000. p. 185.

[79] Samuel P. Huntington. "The Clash of Civilizations?" Foreign Affairs (vol. 72, no. 3, 1993). pp. 22-49. Samuel P. Huntington. The Clash of Civilizations and the Remaking of World Order. New York: Simon & Schuster, 1996.

[80] Karim H. Karim. Ibid. p. 192.

[81] Karim H. Karim. Ibid. p. 192.

[82] Howard Bloom. Ibid. p. 35. Bloom offers an explanation for this herd instinct in The Lucifer Principle: A Scientific Exploration of the Forces of History (New York: Atlantic Monthly Press, 1995) and Global Brain: The Evolution of the Mass Mind from the Big Bang to the 21st Century (New York: John Wiley & Sons, 2000).

[83] Carolina Acosta-Alzuru and Elizabeth P. Lester Rousahanzamir. "A War By Any Other Name: A Textual Analysis of The Falklands/Malvinas War Coverage in U.S. and Latin American Newspapers." In Abbas Malek and Anandam P. Kavoori (ed.). The Global Dynamics of News. Stamford, CN: Ablex Publishing, 2000. p. 104.

[84] Carolina Acosta-Alzuru and Elizabeth P. Lester Rousahanzamir. Ibid. 114.

[85] Philip M. Taylor. Institute of Communication Studies, Leeds University. On-screen statement in "The i Bomb" (1995). Philip M. Taylor. War and the Media: Propaganda and Persuasion in the Gulf War. New York: St. Martin's Press, 1992. Alexander also criticised the press "stories filed without discrimination" (Alexander, p. 169).

[86] Aerobureau Corporation. David E. Morrison. Television and the Gulf War. London: John Libbey, 1992. Robert E. Denton, Jr. The Media and the Persian Gulf War. Westport, CN: Praeger, 1993.

[87] Chuck DiCarrio. On-screen statement in "The i Bomb" (1995).

[88] Peter Arnett. Live From The Battlefield: From Vietnam to Baghdad. New York: Simon & Schuster, 1994.

[89] J.G. Ballard. The Atrocity Exhibition (revised edition). Los Angeles: Re/Search Press, 1990.

[90] Douglas McDaniel. "The Military-Nintendo Complex."

[91] J.G. Ballard. A User’s Guide to the New Millennium: Essays and Reviews. London: HarperCollins, 1996. p. 11. Jean Baudrillard. The Gulf War Did Not Take Place. Bloomington, IN: Indiana University Press, 1995.

[92] McKenzie Wark. Ibid. p. 10.

[93] Colonel John A. Warden III. On-screen statement in "The i Bomb." (1995).

[94] Philip Seib. Ibid. p. 109.

[95] Neil Docherty (producer/director). "To Sell a War." Fifth Estate. Canada: Canadian Broadcasting Corporation, 1992. Nick Davidson (producer) and Maggie O'Kane (writer and presenter). "Riding the Storm: How to Tell Lies and Win Wars." The Cutting Edge. Great Britain: Cinecontact Productions for Channel Four, 1996.

[96] McKenzie Wark. Ibid. p. 6.

[97] Mark D. Alleyne. Ibid. p. 5.

[98] Mark D. Alleyne. Ibid. p. 95.

[99] Ken Auletta. "The Lost Tycoon." The New Yorker Magazine. April 23 and 30, 2001. p. 149.

[100] Ken Auletta. Ibid. p. 140.

[101] Ken Auletta. Ibid. 151.

[102] Tom Engelhardt. "The Gulf War As Total Television 5/11/92." In Victor Navasky and Katrina Vanden Heuvel (ed.). The Best of The Nation. New York: Thunder’s Mouth Press, 2000. p. 153.

[103] Tom Engelhardt. Ibid. p. 151.

[104] Tom Engelhardt. Ibid. p. 148.

[105] Tom Engelhardt. Ibid. p. 149.

[106] Tom Engelhardt. Ibid. p. 150.

[107] Tom Engelhardt. Ibid. p. 152.

[108] Thomas Doherty. Pre-Code Hollywood: Sex, Sin and Immorality in American Cinema, 1930-34. New York: Columbia University Press, 1999.

[109] Tom Engelhardt. Ibid. p. 151.

[110] Tom Engelhardt. Ibid. p. 151.

[111] Tom Engelhardt. Ibid pp. 154-155.