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doppelganger: exploded states of consciousness in fight club
by Adrian Gargett, Ph.D. (agargett@darleymead.u-net.com) - August 22, 2001
In Plateau 6 ("28 November 1947 – How to Make yourself a Body Without Organs") [15] the Deleuzoguattarian concept/process of the Body without Organs" is articulated – a state where "one never arrives"/"one can never arrive"/"one has never finished acceding". Certain distinctions between types/genres/attributes of the Body Without Organs are presented (hypochondriac body, paranoid body, shizobody, drugged body masochist body) two phases of the Body Without Organs one of fabrication, one for producing intensities that pass and circulate on it, and between an individual Body Without Organs and an eventual ensemble Body Without Organs, its uninterrupted continuum, "the field of immanence of desire, the very plane of consistence of desire (there where desire is defined as process of production, without reference to any exterior instance, to any lack which would come up to deepen desire, to any pleasure which would come to satisfy it". [16] A literary element is employed to exemplify three aspects of the Body Without Organs. Artaud's "To have done with the judgement of god" and William Burroughs' Naked Lunch illustrate phases of the Body Without Organs while Spinoza's Ethics, "the great book on the Body Without Organs" opposes the modern priestly figure of the psychoanalyst, who counteracts the immanent field of desire with Pleasure/Death/Reality. Chinese Taoist treatises reveal the circulation and multiplicities of intensities constituting "an intensive body without organs, Tao, a field of immanence where desire lacks nothing and henceforth no longer refers to any exterior or transcendent criteria" [17] and this region of continuous intensity/plateau of which the Body Without Organs is constituted, occurs in Artaud's "Heliogabale" and "The Tarahumaras" which expresses:

. . . the multiplicity of fusion, fusionability as infinite zero, the plane of consistency, matter where no gods go, principles as forces, essences, substances, elements, remissions, productions; manners of being or modalities as produced intensities, Vibrations, breaths, Numbers.
~~ Deleuze and Guattari [18]

These two works by Artaud also address the problem. "the difficulty of reaching this world of crowned Anarchy if you go no farther from the organs . . . if you stay locked into the organism, or into a stratum that blocks the flows and anchors us in this, our world." [19]

Deleuze and Guattari assert that the Body Without Organs "is opposed not to the organs but to that organization of the organs called the organism" [20] which for Artaud was the system of God's judgement, "precisely the operation of He who makes an organism." [21] They maintain that the organism is one of three significant strata which constitute us directly, the others being significance and subjectification: "The surface of the organism, the angle of significance and interpretation, and the point of subjectification or subjection" [22]. To these strata the Body Without Organs opposes "disarticulation (or in articulations) as the property of the plane of consistency, experimentation as the operation on that plane . . . nomadism as movement." [23] This is the great tension and movement along the vertical axis between stratification and destratification (by disarticulation/experimentation\ experimentation /nomadism. This process of disarticulation encapsulates the central methodology of the Deleuzeoguattarian project – experimentation. Experimentation is the progressive renouncing of interpretation and the subsequent construction flow by flow and segment by segment of experimentation. For this is the Body Without Organs is necessarily a Site. There is no "my" Body Without Organs but "me" on it what remains of me, is alterable and mutating forms, crossing borderlines/parameters.

The themes of fractured identity, projected consciousness, alienation and the body conjure a Nietzschean "Line of flight".

The Deleuzo-Nietzschean scheme claims that forces affirm or deny it is a question of the action and reaction of forces, of body assemblages. For Deleuze desire, which experiments with forces is the limit of a power that every body extends its power to its greatest extent, so a limit is nothing but a point from which a force deploys all its power. Such a deployment is governed not by regulation/law by a "nomadic nomos" which is without measure and distributed in a space without defined parameters so as to facilitate experimentation, distribution even delirium. The Nietzschean question of "how one becomes what one is" brings forth the body assemblage, and with it – what forces have taken hold of each series and struggle for domination. Nietzsche suggests that base evaluations dominate Western culture and the only possible solution is total nihilism. Deleuze projecting from Nietzsche turns to the "real" – a line of flight that leads to the "Body Without Organs". The removal of codes and inscriptions leaves nothing to interpret; there is only the real.

In interpreting On the Genealogy of Morals (1887), Deleuze details the complex processes in which Nietzschian nihilism is not an event in history but the motor of history of man as universal history. Man is essentially reactive, human history is the universal becoming – reactive of force. The only way for man to attain true affirmation is to overcome himself to become something other than human – to become the "Overman". The only means to true affirmation says Deleuze is the eternal return, which must be interpreted as a physical doctrine/an ethical doctrine/a doctrine of selective ontology. Nietzscheian philosophy is an affirmation of becoming and the eternal return is its "highest affirmation", and suggests Deleuze the eternal return is not a return, not of being and the same but of becoming and difference.

The affirmation that announces the "Overman" entails a double negation – an active self-destruction of all that is human, which immediately precedes affirmation, and an active destruction of all known values, which immediately follows affirmation. This affirmation inaugurates the transvaluation of values, not only the substitution of one set of values for another but the formulation of a difference, active way of life for the creation of values. This new direction is determined by the eternal return, the affirmation of the being of becoming, the unity of multiplicity and the necessity of chance. Deleuze overthrows the "self" substantiating a transcendental empiricism which poists "an impersonal and pre-individual transcendental field." [24] of singular points that "traverse men, plants and animals independently of the matter of their individualism and the forms of their personalities." [25] The world is disrupted via the problematization of matter. Deleuze subverts materialism characterizing the world as the interaction of formless and incorporeal surfaces and thereby deprives thought of foundation in empirically certain "physics", delineating this incorporeal surface as immanent within bodies, forming the surface of words and things.

Fight Club traces the story of the narrator and Tyler, and their backlash against a world that offers no hope. Like the twin-dimensions of the Janus head, isolated in the ruins of a bleak consciousness, Fight Club drags this "bruised carcass" through a toxic world where humanity is dying slowly and painfully.

 
 

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