The original Skinhead subculture emerged in working class Britain during the 1960s as a 'memetic drift' from the Mod subculture. Integrating vibrant aspects of Jamaican Ska and Reggae music, early Skinheads were different from the racialist stereotypes that dominate contemporary mainstream media coverage.Displaced by the sociopolitical trauma of the late 1960s, including Hippies, Skinheads again came to prominence during the turbulent 1970s in Britain. During a time of high unemployment and growing economic stratification, many young people found a positive personal identity and surrogate tribe in the thriving subculture. Skinheads adopted a myriad of forms, from Trads to Red & Anarchist Skins (RASH). They spawned new music genres, including Street-Punk, Two-Tone and Oi!
However, groups like National Action became notorious for violent street protests, and fear of Neo-Nazi Boneheads prompted strongly negative reactions from the general public. Racialist and White Power groups spread to the United States.
As a reaction to the racialist stereotype and divisive opposition politics, a grass-roots movement called Skinheads Against Racial Prejudice (SHARP) emerged during the late 1980s. SHARP argued that the racialists had fed members false history and used the subculture's aesthetics and personal identity for its own nefarious purposes.
In a splintering post-Cold War environment where the search for cultural identity is simultaneously more difficult and more dangerous than ever, Skinhead subculture uniquely probes the different forms and reasons why racialism and historical revisionism exist within society. They provide a haven for disenfranchised working class voices.
Ignore their pleas at your own peril.