Address To The Industrial Nation
YOU will be pleased to know … actually … let’s start at the beginning. All systems are a product of their histories. Events over time shape the state of OS and application software both for good and bad; while users make forward progress on productive work, bugs and malicious software may destabilize and corrupt their efforts. External events to a historical version of a virtual monitor ma-chine. Replay is intentionally non-deterministic, and may be parametrized as to modify the stream of events that are delivered. In the second, analysis stage, the engine pro-state as mutable through time has been the subject of many tools to assist with semantic comparisons between the resulting alternate states.
Now, a lot of people like to talk about “industrial musicK” like they know what they’re talking about. They only talk of machine drums, sequencers set on 16th-note patterns, barre cords, tedious vocal distortion and sound bites sampled…
Is Lisbeth Salander a Cyberpunk Hero?
Author Sasha Mitchell compares how cyberpunk is defined by Stieg Larsson, by Hollywood, and by Google. Mitchell compares Lisbeth Salander to William Gibson’s heroines (arguing that she’s a combination of Gibson’s female and male protagonists), but saying the ultimate message of her archetype is “screw labels”. (”Does she really need to be sexualized to the extent … Hollywood illustrators would have her be?”)
In The Girl with the Dragon Tattoo, Lisbeth “spreads resistant messages despite powerful mechanisms of top-down control,” which is ultimately a more empowering message than what you get from searching “cyberpunk” on Google Images. (”Note, if you will, how many topless, pantsless, or pigtailed schoolgirls you see here.”) But even Gibson himself once argued the cutting-edge of cyberpunk is too unfamiliar to be defined.
F242: PULSE
I guess I should start by saying what a big fan I am of Front 242. From Geography to UP EVIL & OFF and everything in between. Then a couple of years ago I finally got my hands on their 2003 release, PULSE.
The track listing was very intriguing — I was excited by the prospect of entering a new world of ‘cyberpunk” soundscapes augmented by an erotic delirium of industrial proportions … something about sorcery enhanced by cybernetic implants for cross-dressing degenerates. But then I actually listened to it … and the magic was gone. I eventually ‘unchecked’ all the tracks of the album and deemed it a lost cause and failure.
Oh, the irony. Cut to a few days ago when looking to free up some space on my HD I set my sights on iTunes. I inevitably sought out the unchecked tracks — that’s when PULSE was put back…
Cyberpunk on the Small Screen (Video)
Good day, Cybernauts. We’ve been enjoying this endearing flick for some time, but are just now getting around to posting about it.
Cyberpunk is a 60-minute documentary from 1990 that serves as a charming bookend to the William Gibson documentary No Maps for These Territories. While Gibson is featured prominently in this doc, it also expands out to illuminate an entire slice of the late ’80s/early ’90s culture that used to be featured in the late, great Mondo 2000 magazine.
Cyberpunk Review offers these insights:
Cyberpunk is a documentary that looks back at the 80s cyberpunk movement, and more specifically, how this has led to a trend in the “real” world where people were starting to refer to themselves as “cyberpunk.” The documentary sees “cyberpunks” as being synonymous with hackers. A number of writers, artists, musicians and scientists are interviewed to provide context to this movement. The guiding meme, as told by Gibson, is that information “wants” to be free. 60s counter-culture drug philosopher, Timothy Leary, provides a prediction that cyberpunks will “decentralize knowledge,” which will serve to remove power from those “in power” and bring it back to the masses. Many different potential technologies are discussed, including “smart drugs,” sentient machines, advanced prosthetics — all of which serve to give context to the idea of post-humanity and its imminent arrival on the world stage.
Annalee Newitz: How ‘Max Headroom’ Predicted My Job, 20 Years Before It Existed
Very interesting essay from Annalee Newitz on io9.com. If you grew up watching American television in the ’80s this was one of the weirdest and most interesting shows on network TV, even for kids like myself who didn’t fully grasp the implications of what I was seeing on the screen. (The show obviously baffled many adults as well, since it only lasted fourteen episodes, thankfully the entire series has finally been released on DVD.)
Making sense of it all and putting the show in perspective twenty years later is Annalee Newitz on io9.com:
For those who don’t know the premise of the 1987—88 series, where every episode begins with the tagline “twenty minutes into the future,” here’s a quick recap. Investigative reporter Edison Carter works for Network 23 in an undefined cyberpunk future, where all media is ad-supported and ratings rule all. Reporters carry “rifle cameras,” gun-shaped video cameras, which are wirelessly linked back to a “controller” in the newsroom. Edison’s controller is Theora, who accesses information online — everything from apartment layouts to secret security footage — to help him with investigations.
They’re aided in their investigations by a sarcastic AI named Max Headroom, built by geek character Bryce and based on Edison’s memories. Sometimes producer Murray (Jeffrey Tambor) helps out, as does Reg, a pirate TV broadcaster known as a “blank” because he’s erased his identity from corporate databases.
In the world of Max Headroom, it’s illegal for televisions to have an off switch. Terrorists are reality TV stars. And super-fast subliminal advertisements called blipverts have started to blow people up by overstimulating the nervous systems of people who are sedentary and eat too much fat…
Virtual Reality Veteran FSK1138 Talks About His New Low-Tech Lifestyle
Via Technoccult:
You say now use the Internet for less than 3 hours a week and do not own a TV, phone, or stove. What brought you to the point that you decided you had to unplug like that?
I lived in Guyana for 4 years. You can have days when you have no power, and I survived. I feel that people think that the Internet will always be there. I feel it will not and the day is coming soon. I have seen the Internet change over the years – it has changed alot. The day is coming, I feel, that the can not remain a free utility.
Life really is not hard without technology if you learn to live without it. But if you’re addicted – what then?
When did you decide to cut back your use of technology?
When I realized it was taking up so much of my time – 2007…
William Gibson’s ‘Neuromancer’ Read by Porn Star
Porn star Sasha Grey did a 6-hour reading reading of William Gibson’s classic science fiction novel Neuromancer Sunday at New York City’s New Museum of contemporary art!
They used sculptures to simulate virtual reality – and artist Brody Condon promised to combine “Gibson’s 1980s dystopian techno-fetishism with early twentieth-century abstraction.”
