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In Defense of the Hipster: Part 2

Posted by TunaGhost on August 21, 2011

HipsterShark2PART 2: AUTHENTICITY IS BULLSHIT, or: POP IS THE NEW PUNK

(Part 1, titled “What Is A Hipster, And Why Does Everyone Hate Them? or: You’re So Fake (And So Am I), can be found here.)

As noted in Part 1, the main thrust of the criticisms against hipsters have roots in a notion of authenticity.  Lorentz mentions the words “authentic” and “inauthentic” a dozen times in his article, and the Adbusters piece is just as bad. It’s a fair charge to say that hipsters fetishize the authentic, as Lorentz does. This is hardly unique to hipsters, though; one can find it in practically any sub-culture. It’s so common that I find it disingenuous to use it as a criticism of hipsters and Hipsterism. The problem, as I see it, is that notion of authenticity being used is utter bullshit.

Some years ago, before I became a hipster or had even heard of hipsters, I…

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In Defense of the Hipster

Posted by TunaGhost on August 13, 2011

Hipster SharkPART ONE: WHAT IS A HIPSTER, AND WHY DOES EVERYONE HATE THEM? or: YOU’RE SO FAKE (AND SO AM I)

My name is Tuna Ghost and I have a confession: I’m a hipster.

One may think this is a self-defeating statement, like “this sentence is false” or “all Cretans are liars, says so-and-so of Crete”, as one of the commonly accepted hallmarks of a hipster is that he or she will vehemently deny that they are a hipster.  This bit of conventional wisdom is easily verified, all one has to do is ask the hipsters around one if they self-identify as a “hipster”.  Personally, I have to look no further than my own friends to see evidence of it.  By the traditional definition of “hipster” they are obviously hipsters, but thus far I am the only one who will gladly self-identify as such. One may wonder why anyone in their right mind…

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A Critical History of the Hipster

Posted by majestic on October 25, 2010

250px-Pabst_Blue_Ribbon_logoMark Greif writes an obituary of hipster culture for New York Magazine:

If I speak of the degeneration of our most visible recent subculture, the hipster, it’s an awkward occasion. Someone will point out that hipsters are not dead, they still breathe, they live on my block. Yet it is evident that we have reached the end of an epoch in the life of the type. Its evolution lasted from 1999 to 2009, though it has shifted appearance dramatically over the decade. It survived this year; it may persist. Indications are everywhere, however, that we have come to a moment of stocktaking.

Novelty books on the order of Stuff Hipsters Hate and Look at This Fucking Hipster began appearing again this year, reliving the hipster’s previous near death in 2003 (titles then: A Field Guide to the Urban Hipster; The Hipster Handbook). Institutions associated with the hipster label have begun fleeing it. Dov Charney,…

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The Curious Case of the Christian Hipster

Posted by majestic on September 24, 2010

Is “Christian Hipster” an oxymoron? Not according to Brett McCracken, author of Hipster Christianity: When Church and Cool Collide, writing at CNN:

I grew up within conservative evangelical Christianity, and I’m thankful I did. But throughout my youth – and indeed, even now, at 27 – there are things about it that made me bristle. Things like televangelism, angry political picketing, boycotts, horrible Christian movies, copycat Christian music, anti-intellectualism, hyper-politicized discourse, “Left Behind” hysteria about the “end times,” and “hell houses” (don’t ask).

For many of my peers who grew up within this peculiar milieu, it was enough to sour them on Christianity entirely (lamentable, but understandable). But for many others, it simply urged them to rediscover the heart of the faith and explore Christian identity in terms that felt more pertinent to the world around them.

This impulse among younger generations of Christians has led to, among other things, a subculture which we might call “Christian hipsters.” They are Christians who seek to cultivate a strong aesthetic sensibility and intellectual rigor, things that were largely put on the back burner in the church of their youth. They are sooner found at Radiohead or Arcade Fire concerts than at Christian music shows, prefer contemporary art galleries to Thomas Kinkade showrooms, and exercise Christian “fellowship” through conversations about Sartre over fair-trade coffee or a round of craft beers…