Disinformation » Lady Gaga

Did Lady Gaga Perform A Satanic Ritual in a London Hotel Room?

LordSatan — Fri, 13 Jan 2012 06:12:20 +0000

So this earlier Disinfo.com post ain’t so nuts after all? This story has been removed from the Independent’s website (cached version in link):

Lady Gaga allegedly left “large amounts of blood” in a hotel bath. The eccentric singer reportedly shocked staff when she checked out of London’s lavish Intercontinental Hotel last summer and they discovered a pool of red liquid in the tub of her suite.

One housekeeper claimed the pop superstar was “bathing in blood as part of a Satanic ritual”.

She told website Truthquake: “Lady Gaga left large amounts of blood in the suite during a stay this summer. The incident was reported to the concierge, who was told to put it out of her mind.”

Other sources believe Gaga could have been using the red liquid as part of a “weird” stage costume or prop.

Address To The Industrial Nation

KE$HA KULT — Sat, 10 Dec 2011 02:50:22 +0000

YOU will be pleased to know … actually … let’s start at the beginning. All systems are a product of their histories. Events over time shape the state of OS and application software both for good and bad; while users make forward progress on productive work, bugs and malicious software may destabilize and corrupt their efforts. External events to a historical version of a virtual monitor ma-chine. Replay is intentionally non-deterministic, and may be parametrized as to modify the stream of events that are delivered. In the second, analysis stage, the engine pro-state as mutable through time has been the subject of many tools to assist with semantic comparisons between the resulting alternate states.

Now, a lot of people like to talk about “industrial musicK” like they know what they’re talking about. They only talk of machine drums, sequencers set on 16th-note patterns, barre cords, tedious vocal distortion and sound bites sampled from A Scanner Darkly. But if we peel back the layers of formulaic noise and cliched sentiments of alienation at the hands of a mechanical, dystopian society, we remember that in origin industrial musicK was as act of sorcery! “An alchemical musicKal laboratory.” The idea that one could alter his or her Consciousness and literally enter another dimension of reality by invoking certain frequencies of sound was a cornerstone in the foundation of what would become “Industrial musicK.”

No coincidence, then, one finds reoccurring occult/religious themes and symbolism in the efforts of genre’s enduring heavy hitters. And if it’s not overt occultism, then certainly the general notion of transcendence, transformation & transmutation is present. Then of course there’s the element of paranoia, the idea of being “watched” or “monitored,” but what else could this sensation indicate than the beginning of the loss of ego and the realization that there is no distinction between individuals; that ultimately, we are all one Consciousness experiencing itself. Certainly this feeling would be disconcerting if you were taught to believe that you only exist as a physical entity inherently separate from the other physical entities.

So what’s the Industrial egregore up to now? Well, like any good conspiracy it is planning to finish what was started — to tear down the imaginary limits of reality and push us through the other side. But you say this is ‘nonsense,’ a waste of time or even DANGEROUS to talk of these things in terms of objectiveness — metaphysical beliefs only distract people from the truth of reality — and Truth is the only thing that matters. Possibly. But if life is just the product of random chance and life ends when you die (as the materialists and rationalists demand), then what is the point of recognizing, or even caring about, the distinction between “fact” & “fiction”? If ‘everything must perish’ then nothing ultimately matters, including our life and speculations.

Ok, so you don’t buy that, you say life does have meaning. Then the goal of humanity must be to create peace between ourselves, right? Even still, why must there be consensus? BEHAVIOR is far more important than BELIEFS when it comes to creating PEACE. Don’t believe me? Are you going to punch me in the face over it? Yes or no, you’ve proved my point — it’s the PHYSICAL act of violence that is the problem. Nothing more, nothing less. The one exception to this rule is the belief everyone has to believe the same thing. It’s the general belief in conformity that causes people to ACT OUT in anti-social ways — either on on-line forums or in the real world. So you can believe in God, you can even believe your God is the one, true God, but only when you start calling people a bunch of mean, nasty names in the name of your infallible belief system are you the problem. Conversely, you can be an atheist, you can even believe your belief is the one, true belief, but only when you start calling people a bunch of mean, nasty names in the name of your infallible belief system are you the problem. Obviously, pointing this out won’t change the minds of fanatics who feel all must bow to their infallible belief system. Even worse are the “non-conformists” whose obnoxious cynicism derides any sincere attempt at promoting peace, love & liberty.

So to be clear, “conformity” in of itself is not the problem. No, conformity that arises organically; like a group of people who, by their nature, resonate with a particular æsthetic and create a framework to cultivate it — that is a positive aspect of conformity; its organizational aspect. But any organization can be corrupted by those who want to conform to it, who want to be led, because these ‘followers’ also desire to become ‘leaders’ who will then attempt to impose “their” organization over others, which inevitably leads to chaos (the undesirable kind). The domesticated primate knows there must be organization (”conformity”) for social cohesion — but they get correlation & causality confused — rather than allowing organization (which is the de facto nature of biological systems, i.e. us) to flow spontaneously — they attempt to artificially impose THEIR ORDER over others, thereby causing us (and them) disaster. But we can forgive them because they CLEARLY ‘know not what they do.’ But don’t kid yourself … there’s nothing you can do about it anyway. Keep reading.

Now with ‘industrial people,’ we know ‘industrial’ is not just a “style,” but a STATE OF MIND that is inexorably drawn foreword through the temporal dimension — BEYOND the event horizon — BEYOND the singularity — BEYOND the spaces in-between the spaces — BEYOND GOD. (Hint: SubGeniuses call it “Bulldada” — the way they describe it’s origin, ‘bursting from the chest of Dada’s corpse’, is the perfect analogy for the Industrial state of mind; “DEIFIED DADA.”) For the true adepts of Industrial we know there is an authentic prophecy encoded in its ‘ultra heavy beat’ — we know it by the symbols it leaves behind: The MACHINE, MONITOR, reptiles, sexual energy, tEEth; accompanied with themes of MEAT & Digestion all leading to, EVOLUTION, DNA; crystalized frequencies of electro-magnetic light spectra and electro-tonal sound patterns, PURE KOSMIC KONSCIOUSNESS. It is clear we were being prepared for an ‘Industrial Messiah,’ a “headhunter” who would make us all “rich & famous” who would lead the way and show us how to ‘live through ones own dementia.’ And now, at the beginning of this new decade (or new century, actually new millennium), where are we seeing the industrial state of mind being utilized to overwhelming critical and commercial success? Where else but with this new wave of pop-darlings? Lady Gaga (our first Industrial Princess), for example, makes ample use of experimental electronic aggro-beats and Her style can be accurately described as ‘cross-dressing occult degenerate weirdo’ (sound familiar?!) Naturally, this assertion will seem like heresy to myopic ‘purists’ (after all, they said the same thing about Nine Inch Nails at first), but the fact modern Industrial owes just as much to Pink Floyd as it does to Throbbing Gristle is the surest sign of the media organism’s flexibility. In fact, Industrial’s vitality is chiefly due to its ability to ‘blend the strengths.’

So I’m not saying there’s only ONE ‘messiah,’ quite the contrary, the industrial mutation is an intergenusnet affecting MULTIPLE carriers at “once” — like a drop of water, we, Industrial Adepts, all contain the same “seed,” but by ourselves we are not ‘in context’ thus we seem INANE, BUT! when enough drops of water accrue and are ‘housed’ in their proper “vessel” i.e. FAME, we suddenly become relevant. And that is the true prophecy — ‘the becoming’ of the Industrial state of mind; ‘my new Consciousness.’ To be sure ‘we are not romantics,’ we are here to serve you. Indeed, our Bible is called “How To Serve Man.” $HA!

And so before I leave you to contemplate all I have said, I offer one more suggestion. To celebrate the dawn of our reckoning we change the label of the Industrial genre to something more fitting to the challenges and promise our time represents: CyberpunK. From the oldest Skinny Puppy to the most recent Front Line Assembly, I find “CyberpunK” to be FAR more descriptive of the genre than “Industrial,” which invokes feelings of antiquity & obsoleteness. “CyberpunK” not only embraces the feelings we get from “Industrial” [that we like], but also propels them forward — which is exactly where Industrial intended to take us. Consider also the enormous amount of cross-pollination of themes between Cyberpunk, the literary genre, and Industrial. Finally, as we learn more about the nature of reality — that matter is made of energy — and energy is made of information — we must contemplate the possibility that by merely knowing this we are no longer human — we are machines (for the lack of a better term.) machine |məˈ sh ēn| noun. Any device that transfers or converts energy from one form to another.

In the case of the miraculous packet just mentioned, the engine allows us to consider a large number of alternate universes that might result as a consequence of the packet’s delivery, and to build insight into the specific mutations that its arrival induced. The operation of the difference engine involves The challenge of replaying network traffic dealing with non-determinism, both intentional and inherent. Greater the Chaos becometh; the major centre with all the seven circulating spheres rock with the echos of disintegration. The fumes of utter blackness mount upwards in dissipation. The noise discordant of the warring elements greets the oncoming rEvolution, and deters IT not. The strife and cries of the fourth great Hierarchy, blending with the softer note of the Builders of the fifth and sixth, meet ITs approach. Yet IT passeth on ITs way, sweeping the circle of the spheres on the face of the waters, and waging the WAR. The virus has reached critical mass. The lines are converging to the point of no return. The Process has a focal point. It can provide a form about which the function of the self can be wrapped; Love, self-expression and discipline. Intentional nondeterminism is caused through modiﬁcations (i.e. through reordering or otherwise altering the log of external events) to the replayed system in an attempt to guide the replaying instance to an alternate state. Inherent non-determinism results from within the system itself. Examples include both explicit calls to sources of entropy. Calling the Hamburger Lady: a mechanist woman living in information, fed on human emotion, Her “psychic metabolism” maintained by entangled, multiple personalities each projected through various cybernetic organisms, only vaguely aware of their interconnectivity. She watched through her telephone, her telephone. Their images synthesized by computer and fed into her brain through a nerve-crystal junction at the base of her skull. Her ears were the ultra heavy beat of radar, listening, listening, pounding. Music down your throat — music … nonstop. At the end of the album, YOÜ & I appear to have become glamourous piles of glitzy garbage at the mercy of a postpop-hyperpunk Princess. In fact, the call was coming from inside the HOUSE — your entire life as you have known it was only an illusion. Now don’t you feel a whole lot better? So go ahead and sing the song, it goes like this: 1 … 2 … 3 … 4 … now i know — what this is all about. and now i know — exactly what i am. [x infinity].

The Illuminati Pop Music Conspiracy Featuring Eminem, Gaga, Jay-Z…

majestic — Wed, 23 Nov 2011 13:33:31 +0000

Photo: http://www.glenjamn.com

Disinformation readers have long been tracking the illuminati agents Jay-Z and Kanye West (currently on a world-dominating tour together), as well as mind control puppet Lady Gaga, but now Jonah Weiner reveals for Slate that the pop conspiracy goes way deeper…

I’m not sure if Eminem has yet managed to escape the grasp of the Illuminati — the secret society of string pullers whose ranks he joined years ago in exchange for wealth, fame, and power — but I know he’s been trying very hard. Numerous people online tell me so. There is, for starters, a Yahoo Answers page that poses the question “Is Eminem trying to break free from the Illuminati?” and offers spirited excavation and analysis of the hidden anti-Illuminati messages Eminem embedded in his song “Not Afraid.” There is a four-page message-board thread titled “Is Eminem an Illuminati slave?” A YouTube video called “Eminem vs. Illuminati” explains, via solemn text and creepy music, that when the Detroit M.C. titled a song “Cinderella Man,” it was not because the redemptive plot of the 2005 Ron Howard film Cinderella Man echoes Eminem’s own comeback from drug addiction, but rather because, like Cinderella with her wicked stepsisters, Eminem was “forced to do the chores for the Illuminati by sending subliminal messages through his music.” Ignore any comment-section sheep who bah that this is ridiculous: When that video ends, the hunt for truth has only just begun. From a list of suggested related videos, you can choose “Eminem: His illuminati sacrifice Part 1”; “Eminem Fights Back Against The illuminati”; “Eminem against illuminati 2011!”; “Eminem My Darling Illuminati” and on and on. Some of the Eminem/Illuminati videos have been viewed 5,000 times. Others, close to 300,000.

Welcome to the world of pop-music trutherism, a bustling, grassroots exposé industry in which Eminem is one of many performers called out by anonymous instigators for Illuminist sympathies. The best conspiracy theories go all the way to the top, and this one goes all the way to the top of the charts…

[continues at Slate]

Lady Gaga Posts 9/11 Tribute Video

majestic — Wed, 07 Sep 2011 12:19:39 +0000

Lady Gaga, Fran Drescher, Pauly D, Nas, Juliane Hough and Drake Bell are featured in the 9/11 Tribute Movement’s new 30-second PSA. Anyone can post a video tribute on the Movement’s Facebook page.

Snoop Dogg, Katy Perry, Lady Gaga Go Where The Money Is: Silicon Valley

majestic — Wed, 23 Mar 2011 12:20:25 +0000

Facebook = Katy Perry; Twitter = Snoop Dogg; Google = Lady Gaga. Who’s got the biggest star? Not much competition as Alexia Tsotsis points out at TechCrunch:

As the battle for Silicon Valley engineering talent intensifies, it seems as if hot tech companies like Apple, Facebook, Google and Twitter have launched some sort of ridiculous competition as to who could can score the biggest Hollywood talent for an onsite appearance, in order to wow current and future employees.

Between Ashton Kutcher and Chamillionaire at Y Combinator Demo days and conferences, Silicon Valley isn’t lacking in star sitings. But if we’re keeping a tally, the most recent celebrity visits making waves were Snoop Dog at Twitter and Katy Perry at Facebook, both of which seemed like a stretch when considering either company’s goals.

If the metric is attention, I’m just going to say that Google has won the cultural relevance wars for the moment, bringing in super duper pop star Lady Gaga in to talk to super duper tech star Marissa Mayer for its “Musicians@Google” series…

[continues at TechCrunch]

Kanye West “Power”: Illuminati Overkill

majestic — Tue, 21 Dec 2010 22:55:16 +0000

disinformation reader Niall sent us a note saying:

Here’s an article I wrote about Kanye West’s latest video “Power” and how I think he is basically trolling the internets and conspiracy theorists with it. It’s from our music blog Shallow Rave — we don’t normally cover esoteric stuff, but it’s a personal interest of mine, and when the two subjects collide it’s too good an opportunity not to miss!

Here’s Kanye’s video and below the story from Shallow Rave:

So, have you seen the video for Kanye West’s “Power”? And did you notice all the occult symbolism there-in? Come on, let’s be honest here – you’d have to be a total fucking idiot not to.

I have commented on this kind of thing before (most notably Lady Gaga), but if you are new to the modern trend to read everything in pop music as being controlled by the Illuminati, then start here with a brilliant piece by the Fortean Times. Of course, written as it was about 12 months ago, it already seems out of date as it doesn’t feature Kanye. But I’ll come clean on all this “conspiranoia” fascination – I’m sick of it. I’m over it all. And why? Because the tables have turned – this is no longer about an audience reclaiming popular culture with fresh and bizarre readings. Now it’s nothing more than a clever marketing gimmick. Conspiracists, KANYE IS TROLLING YOU.

First of all, let me clarify – I do not believe that there is an Illuminati conspiracy to rule the world. I do believe there are elite organisations/groups of indiviuals who hold certain reigns of global power and will do anything to retain them – legal or illegal, covert or overt. However, I do not believe in a singular secret organisation that brainwashes children through the use of MK Ultra/monarch butterflies/Hello Kitty dolls/ancient Egyptian religious figures/sex abuse. Yes, I am pretty sure that the sexual abuse of children happens, and sometimes in a secretive and organised fashion, but I don’t believe that those genuinely horrific acts are perpetrated by a solitary shadowy organisation, with the intent of keeping the general population under a mind control regime. And why not? Because it is JUST TOO NEAT. It doesn’t take into account enough the age old human capacity to be rubbish (those theorists will tell you it’s because the Illuminati are NOT HUMAN), for things not to go to plan, for mistakes to happen.

It just reads too much like the plot of Scooby Doo. “Mr Illuminati burnt down the old funfair!” But this drive towards narrative is understanable. All our senses are bombarded by narrative-based media wherever we turn. All religions are based on stories passed down from old to young. History is played out like a drama with a beginning, middle and end. Even the simple act of brushing your teeth nowadays has to have an “arc”. This is what makes conspiracy theories so attractive – they take genuine fears about troubling aspects of the world we live in, and mould them to fit a very straight forward story with an easy good/bad dichotomy at its center. Whether you worship Jesus or Oprah, it doesn’t really matter – they are both sold on their stories, so why shouldn’t the real world be too?

Initially I was drawn to these story-telling aspects of pop conspiranoia, the wild correlations people would draw between disparate pieces of information drip fed to us by the media. Personally I feel like conspiranoia has replaced horror films in my life for creepy thrills. However, it quickly became boring once you realised that the message of nearly all these sites/videos is the same. BELIEVE IN JEEBUS! And not in a personal/spiritual/empowering sense, but rather in the most crassly traditional sense: “Don’t ask questions – just believe. Pray to God to make it stop!”. It seems it’s too much to ask of the fundamentally religious that they could apply the same critical thinking to their own cherished belief system as they do to a pop video.

And this is where the trouble starts – though on the surface they seem to be very knowledgable about pop culture, these sites and YouTube posters are actually ignorant of the way the modern world works. According to them, there can only be two meanings for every action. One, the surface level meaning that the “sheeple” can understand (Gaga leaves prison with her foxy femme pal and enacts a glossy, sexy revenge in a world of B-movies and product placmeent) and the other what it REALLY means (Gaga is a puppet enslaving a generation of brainwashed minds into homosexuality through the use of ancient Egyptian symbols). There can be no other meaning or no other valid reading. Remember: politics, sociology, anthropology and economics are merely tools of the elite. Ambiguity, reflexivity, irony – conspiranoia does not trade in these. And that’s the REAL irony – conspiranoists ask us to see beyond the surface meaning but only to agree with their meanings – not to find meanings of our own, to find a third/fourth/fifth/6.5 billionth meaning.

As with conspiracy culture in general, pop conspiranoia has turned into a huge global meme, yet people are still convinced that they are discovering this hidden knowledge for themselves, and they and they alone know what it all means. Mass media events like The Matrix and The Da Vinci Code are huge global smash hits, and are regularly offered up as fonts of proof of the worldwide conspiracy, yet even your nan has seen them by now. It’s quite a feat really, when you think about it. Most advertisers would kill to be able to create products a third of the world can own but that retain the cachet of being “secret”. It’s also the most truly scary aspect of all this – when the powerful majority believes that they are the oppressed minority. Where have we seen that before?

So, back to “Power”. To the conspiranoists, the only reason Kanye can be using this type of symbolism is because his Illuminati puppet masters told him he must make his Masonic initiation rites public, to taunt the select few viewers who knows what it really means. It’s got nothing to do with a desire for more notoriety by the record label, it’s got nothing to do with a PR department wanting to drum up some publicity for their latest product. It’s got nothing to do with the legions of staff who work for Kanye or his label seeing an article and mentioning it to him, it’s got nothing to do with an artist having self-knowledge and commenting on how the world sees them. Because, that’s not what artists do, is it? No, they just sing silly songs. They are not normal people who on occassion have reason to cruise the internets, to search their own names on Google, to email pictures of their bits to strangers in an attempt to get laid. They’re just pop artists – they wouldn’t deliberately troll you. Would they?

I would expect an article like this to get a raft of comments from people accusing me of being “one of them” (the Illuminati and/or the Masons), if I actually thought anyone was reading. For handy reference I will refer to those people as “black sheeple”. They have realised that they do not have to follow the herd as they once did – however, they mistakenly believe that to move directly against the herd is the only option they have. Like Neo they have been woken out of consensus reality, but they have yet to realise that the “netherworld” they have woken into is itself a consensus reality that can be woken out of. That is THE great failing of the Matrix film sequence and why I hate them so much – Neo awakes to find himself a super-being not on the set of “Holy Mountain” or “2001: A Space Oddessy”, but rather in “Terminator Fucking 3″.

To those black sheeple I would like to say don’t comment until you read “The Illuminatus Trilogy“. Or even better “The Invisibles” – it has pictures.

Further reading:
Fortean Times: The Illuminati X-Factor.
Technocult – The Conspiratainment Complex and Why I Don’t Find Conspiracy Theory Funny Anymore
Bossip: Kanye West New Allegiance To Illuminati Exposed?
Vigilant Citizen: Kanye West’s “Power”: The Occult Meaning of its Symbols
Result of Google search with keywords “Kanye”,”Illuminati” and “Power”

How a Burnt Lady Gaga CD Helped Leak 250,000 U.S. Embassy Cables to WikiLeaks

ralph — Tue, 30 Nov 2010 22:07:00 +0000

I find this to be a good reminder for conspiracy theorists how seriously incompetent governments can be. From a fake Lady Gaga CD to a thumb drive that is a pocket-sized bombshell — the biggest intelligence leak in history… David Leigh writes in the Guardian:

The US military believes it knows where the leak originated. A soldier, Bradley Manning, 22, has been held in solitary confinement for the last seven months and is facing a court martial in the new year. The former intelligence analyst is charged with unauthorised downloads of classified material while serving on an army base outside Baghdad. He is suspected of taking copies not only of the state department archive, but also of video of an Apache helicopter crew gunning down civilians in Baghdad, and hundreds of thousands of daily war logs from military operations in Afghanistan and Iraq.

It was childishly easy, according to the published chatlog of a conversation Manning had with a fellow-hacker. “I would come in with music on a CD-RW labelled with something like ‘Lady Gaga’ … erase the music … then write a compressed split file. No one suspected a thing … [I] listened and lip-synched to Lady Gaga’s Telephone while exfiltrating possibly the largest data spillage in American history.” He said that he “had unprecedented access to classified networks 14 hours a day 7 days a week for 8+ months”.

Manning told his correspondent Adrian Lamo, who subsequently denounced him to the authorities: “Hillary Clinton and several thousand diplomats around the world are going to have a heart attack when they wake up one morning and find an entire repository of classified foreign policy is available, in searchable format, to the public … Everywhere there’s a US post, there’s a diplomatic scandal that will be revealed. Worldwide anarchy in CSV format … It’s beautiful, and horrifying.”

He added: “Information should be free. It belongs in the public domain.”

U.S. Soldiers Remake Lady Gaga’s ‘Telephone’ Music Video

phunkychic666 — Mon, 03 May 2010 12:49:48 +0000

From urlesque.com:

If this is what it takes for our men in uniform to deal with whatever daily horrors they face, then bring on the hip-shaking, heart-pumping fabulosity.

Sadly, unlike the original version of Lady Gaga’s ‘Telephone’ video, Beyonce doesn’t make an appearance, but this little number’s coming straight out of Afghanistan and it is FIERCE.

Also, ferosh.

Lady Gaga: Puppet of Illuminati Mind Control?

ralph — Thu, 18 Mar 2010 21:41:02 +0000

Disinformation World News first “uncovered” this Illuminati plot back in August of last year. Here’s more analysis from Max Fisher of Vigilant Citizen’s The Hidden Meaning of Lady Gaga’s “Telephone” on the Atlantic Wire. Check out the video below and make up your own mind…

ALLEGATION: Lady Gaga is a pawn of the Illuminati and a peddler of the occult. Her music video “Telephone” is a brazen attempt at recruiting teenagers into mind control programs.

LADY GAGA IS: “A mind-controlled drone who kills people”

“TELEPHONE” VIDEO IS ABOUT: “Ritual murder of average Americans in a diner by mind-controlled slaves” and “mind control, a covert practice used by the military, the CIA, religious cults and the Illuminati elite. It is used to program human beings to become mental slaves and to execute specific tasks.”

LYRICAL EVIDENCE: “By ‘kinda busy’, Gaga means she has dissociated from reality. Real life is calling her brain but she ‘has no service’, she’s not there. Gaga is not thinking or talking for herself anymore, her head and her heart have been dissociated from her core personality due to [Illuminati/CIA] Monarch programming.”

Listen to “The Lady Gaga Code” on Disinformation World News

Read Vigilant Citizen’s The Hidden Meaning of Lady Gaga’s “Telephone”

Read Max Fisher’s analysis on the Atlantic Wire

Westboro Baptist Church Covers Lady Gaga

JacobSloan — Fri, 08 Jan 2010 16:30:35 +0000

Kansas-based Westboro Baptist Church, famous for protesting at the funerals of Matthew Shepard, Heath Ledger, and soldiers killed in Iraq and Afghanistan, has released its first ever pop music single, notes Gawker.

Pastor Fred Phelps’ pop-culture-savy granddaughter, Megan Phelps-Roper, does lead vocals on a cover of Lady Gaga’s smash hit “Poker Face.” The lyrics have been changed to convey a pro-God, anti-Gaga message; instead of “poker face,” Phelps-Roper sings about Lady Gaga’s having a “whorish face.” Cute! It shows that Christianity is still relevant for today’s kids.

The Ten Most Amazing Things From the New Lady Gaga Music Video

majestic — Thu, 12 Nov 2009 15:19:33 +0000

A fun list inspired by the best music video for years, by James Brady Ryan in Nerve.com:

Guys, I don’t even know. Can you really “list” something that clearly comes from beyond the borders of our dimension, and may not even adhere to the concepts of mathematics as we know them? YES!

So, the video for Lady Gaga’s new single, “Bad Romance,” is out. (Working title: “Bad Ph’nglui mglw’nafh Cthulhu R’lyeh wgah’nagl fhtagn.”) You can watch it here, and then, once the screaming is done, you can join me for a list of the best/scariest moments from the video itself.

10. Hello Gaga:

Fun fact: this is how Lady Gaga actually sees other people.

9. PETA is going to be pissed:

I’m not gonna lie: I kind of want that coat.

[continues at Nerve.com]

Lady Gaga’s Occult Powers on the Rise

joenolan — Fri, 06 Nov 2009 19:16:37 +0000

Perhaps Austin Gandy’s recent Invisible College segment on the Disinformation World News Podcast was more prescient than we expected?

By Allie Pruitt at Weekly World News

NEW YORK, NY – A paparazzo dropped dead after taking a photo of Lady Gaga!

Lady Gaga is a pop star who has become as famous for her outfits as she has her music. She wears a new and often bizarre outfit for every single event she attends, making her a prime target for celebrity photographers.

On Monday night, Lady Gaga attended the ACE Awards in New York City. Photographer A.J. Solkaner immediately took a photo of the singer, her face obscured in a spooky black veil.

[continues at Weekly World News]

The Lady Gaga Code – Disinformation World News

Raymond — Mon, 24 Aug 2009 17:56:48 +0000

Disinformation World News – Episode 9: The Lady Gaga Code

iTunes • Direct Download • RSS

In this episode we take a closer look at the psychedelic implications of the book of Genesis and uncover the sinister plots of the Illuminati’s greatest puppet, Lady Gaga. Crack the Lady Gaga Code, this week on Disinformation World News.

Disinformation Podcast T-shirts available here!